The Passsionate Shepherd Essay Research Paper Contrasting

The Passsionate Shepherd Essay, Research PaperContrasting Conditionss of the HeartPeoples can non be within the context of society, without meeting the contrasting mutual oppositions of the human bosom. The subject in Christopher Marlowe & # 8217 ; s poem & # 8220 ; The Passionate Shepard to His Love & # 8221 ; ( circa 1600 A.D. ) , and the subject in Sir Walter Raleigh & # 8217 ; s poem & # 8220 ; The Nymph & # 8217 ; s Reply to the Shepard & # 8221 ; ( circa 1552? -1618 A.D. ) , portray the contrasting subjects of love and hatred.Christopher Marlowe & # 8217 ; s poem & # 8220 ; The Passionate Shepard to His Love & # 8221 ; is a verse form that manifest hope, love and ageless optimism. Marlowe & # 8217 ; s character is the original of goodness and strength.

Marlowe chose a shepherd for his character, because a shepherd represents ; goodness, strength, and independency. The character recalls the scriptural significance denominated to a shepherd that of a leader, a supplier of kinds. To day of the month some denominations of Christian faiths still call their folds & # 8220 ; flocks & # 8221 ; and their leader a & # 8220 ; Pastor. & # 8221 ;The first stanza of Marlowe & # 8217 ; s verse form is about a proposal that offers a hereafter and offers the most beautiful status of human being. . .

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love & # 8220 ; Come live with me and be my love & # 8221 ; ( 1 ) . With this line the shepherd is doing clear his purposes of matrimony. The writer chose the word & # 8220 ; come & # 8221 ; because of the strong belief it conveys.

He is non stating & # 8220 ; would & # 8221 ; or & # 8220 ; could. & # 8221 ; No uncertainty is placed as to the shepherd & # 8217 ; s love. The shepherds love besides is besides boundless: & # 8220 ; That vale, Grovess, hills and fields/ Woods, or steepy mountain outputs & # 8221 ; ( 3-4 ) .

Love is once more offered in the signifier of symbolic gifts. Some gifts symbolize the shepherd & # 8217 ; s interior beauty: & # 8220 ; And I will do thee beds of roses/With a 1000 fragrant poises & # 8221 ; ( 9-10 ) . These gifts are non material ; they are labors of love meant to typify the beauty he is offering. Other gifts introduce a sense of philistinism:A gown made of the finest woolWhich from our pretty lambs we pull ;Fair lined slippers for the cold,With buckles of the purest gold. ( 13-16 )The gown and the slippers are gifts designed to protect and supply heat. However, the reference of all right wool and buckles of gold are designed to present the character & # 8217 ; s ability to supply worldly wants.

The concluding gifts offered are intended to appeal to the lover & # 8217 ; s sense of philistinism: & # 8220 ; A belt of straw and Hedera helix buds/With coral clasps and amber studs & # 8221 ; ( 17-18 ) . All of the senses of the lover are being appealed to, the shepherd is carry throughing his promise & # 8220 ; Aneodymium we will all the pleasances prove” ( 2 ) .Stanza figure six concerns itself with the hereafter & # 8220 ; For thy delight each May forenoon & # 8221 ; ( 22 ) . The reference of each May forenoon is intended to allow the shepherd & # 8217 ; s love know that he is looking past the immediate and into the hereafter. The hereafter is besides painted as an optimistic and cheerful hereafter & # 8221 ; The shepherds & # 8217 ; swains shall dance and sing & # 8221 ; ( 21 ) .

Overall & # 8220 ; The Passionate Shepherd to His Love & # 8221 ; is a verse form that introduces a character of goodness, offerings of gifts, and a hereafter filled with love. In contrast Sir Walter Raleigh & # 8217 ; s poem & # 8220 ; The Nymph & # 8217 ; s Reply to the Shepherd, & # 8221 ; portrays the darkest of the conditions of the human bosom. . . hatred.Sir Walter Raleigh & # 8217 ; s character in & # 8220 ; The Nymph & # 8217 ; s Reply to the Shepherd, & # 8221 ; is portrayed as a pessimistic, experient character who rejects love and all that the shepherd has to offer & # 8220 ; If all the universe and love were young/And truth in every shepherd & # 8217 ; s lingua & # 8221 ; ( 1-2 ) . These two lines reveal the Nymph & # 8217 ; s unrealistic and experient mentality at life. Expecting all the universe and love to stay immature is non sensible.

The mention to truth in every shepherd & # 8217 ; s lingua reveals that negative experiences have tainted the nymph & # 8217 ; s psyche.There is hatred in all of the Nymph & # 8217 ; s answers, it is particularly prevailing as the nymph garbages everything that the shepherd is offering, including his gifts & # 8220 ; Soon interruption, shortly whither, shortly disregarded & # 8221 ; ( 15 ) . This line is intended to allow the shepherd know that beautiful things can carry through her. Further rejection comes in the fifth stanza & # 8220 ; All these in me no agencies can travel & # 8221 ; ( 19 ) .

Nothing that the shepherd can make will appeal to her.The nymph & # 8217 ; s position of the hereafter is besides negative & # 8220 ; The remainder complains of attention to come & # 8221 ; ( 8 ) . For every offer of the possibility of a hereafter, the nymph has a hopeless answer & # 8220 ; Is fancy & # 8217 ; s spring, but sorrow & # 8217 ; s fall & # 8221 ; ( 12 ) . The 6th stanza trades with the concluding rejection and demonstrates the impossibleness for a hereafter & # 8220 ; But could youth last, and love still breed/Had joys no day of the month, nor age no demand & # 8221 ; ( 21-22 ) . Young person can non last everlastingly, nor does joy have no day of the month, nor age no demand.Marlowe & # 8217 ; s verse form and Sir Walter Raleigh & # 8217 ; s poem depict two of the most powerful and contrasting emotions a human can experience.

Marlowe & # 8217 ; s verse form is one of hope beauty and most of import, eternal love. By contrast Raleigh & # 8217 ; s verse form is jaded by corrupt experiences, feelings of desperation, and hatred. In life let us pray that the people we meet will be more like the Shepherd and that we ne’er meet a character like the Nymph.

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