Of Brewster & # 8217 ; s Topographic point By Gloria Naylor And As I Lay Diing By William Faulkner Essay, Research PaperThe differences between the two novels Women of Brewster & # 8217 ; s topographic point by Gloria Naylor and As I lay deceasing by William Faulkner are many and varied. They differ in their tone, manner, handling of characters and overall continuity. That, nevertheless, is non the subject of this essay.
What I will be measuring is how these two writers handle the subject of household. Do they happen that household is a support or a trap for the persons in the narrative? Possibly both. Do they differ in their manner of thought or are they of one head on the topic?I will get down by dissecting each narrative based on these thoughts, so I will compare the two ways of thought.In Gloria Naylor & # 8217 ; s Women of Brewster & # 8217 ; s topographic point, there are rather a few persons, each with her ain narrative and her ain tests and trials. I will follow the flow of the narrative and speak about the characters in the same order as she has.Mattie Michael has had a difficult life. She persisted on loving her boy, even though he brought her no terminal of heartache.
In that sense, she was trapped by her love for him, but that same love, when transferred onto Ettae Mae Johnson, did convey joy in the signifier of company in her ulterior yearss. Besides, she was the ad-lib mother-figure for most of Brewster & # 8217 ; s topographic point but more specifically that of Luciella Louise Turner, who, when faced with the loss of her lone kid, had decided to give up on life. With nil but love, willpower and an mute sense of household, was Mattie able to snap her dorsum from the threshold of decease.In the instance of Kiswana Browne, we find both support and entrapment. Although she was supported and loved by her household, Kiswana saw them as an hindrance to her life as seen by her independent eyes.
She could non deny her parents love for her, but at the same clip could non stay by their inactive function in the African-American community. Subsequently, we see that the love of her parents was unconditioned to the point of accepting her life in the cheapjack flat where she lived. Not merely did they understand what she was traveling through, but they besides were willing, albeit indirectly, to back up her financially. That might be the lone instance in both narratives where love of household outweighs the traps that come along with it.
Cora Lee & # 8217 ; s household was obviously a trap for her. A trap due to her ain limited mentality on life. The denial of the fact that babes do turn up had limited her picks and subjugated her to a life of about bondage. Her improbable redemption came in the signifier of Kiswana Browne. Cora Lee & # 8217 ; s pride could non let her to allow Kiswana happen her a bad illustration of maternity, and so she took it upon herself, if merely for a small piece, to repair her kids up for the drama.
That could besides be interpreted as support, since Kiswana was the closest thing Cora Lee had of all time had to a household since she moved out of her parent & # 8217 ; s flat.In the instance of Theresa and Lorraine nevertheless, littlupus erythematosus could be said except the fact that they depended on each other for a sense of household and belonging since they could non number on anyone else accepting them for what they truly were. Although some support did spring up after the colza, that was chiefly sympathy and non truly true apprehensionOn the whole, the people of Brewster & # 8217 ; s topographic point tried to take attention of one another and they did hold an overall sense of household. They all belonged to these streets, non many desiring to be here and most knowing they could ne’er acquire out.
In Faulkner & # 8217 ; s As I lay deceasing, the sense of household is far easier to happen since most the characters in the novel are of the Bundren & # 8217 ; s household. I will speak about some of them separately foremost, so about all of them as a whole.Anse Bundren, the male parent figure of the household, has been more of a load to the household than anything else. His indolence forces the other members of the household to make his jobs in his topographic point and therefore constitutes a trap for the remainder of the household. The closest illustration we could happen of Anse in Gloria Naylor & # 8217 ; s novel would be Luciella & # 8217 ; s hubby.
They both are irresponsible and care more for their ain good being than the remainder of the household.The anchor of the household, alive every bit good as dead, was Addie Bundren. Alive, she took attention of the family every bit good as did field work, therefore back uping her household in stead of her lazy hubby. Dead, nevertheless, she linked her household in an attempt to convey her to Jefferson and therefore became more of a load than anything else. The closest equivalent, while alive, in Gloria Naylor & # 8217 ; s novel would be Mattie Michael, while when she is dead it would hold to be the decease of the babe. The event that brought all of Brewster & # 8217 ; s topographic point together.Jewel, one of Addie & # 8217 ; s boies, seems trapped by his love to his dead female parent.
He can & # 8217 ; t believe, except in choler, of anything but her. He has a really difficult clip accepting anyone else & # 8217 ; s love for his female parent.Overall, the Bundrens find themselves trapped by the promise of Anse to Addie to convey her to Jefferson. A promise that they intend to maintain, if merely to pay her dorsum for all the support she had given them while alive. While maintaining that promise, though, they find themselves holding to trust on each other & # 8217 ; s support and later turn slightly closer as a household. Even in her decease, Addie Bundren manages to maintain her household together.
Finally, as to comparing Gloria Naylor & # 8217 ; s and William & # 8217 ; s Faulkner & # 8217 ; s view on household, I find that they both perceive it really much alike.In Women of Brewster & # 8217 ; s topographic point, we find many narratives with entrapment in them, but finally the household, whether direct or indirect, comes through. Mattie is a alternate female parent, Etta Mae a loving sister, Kiswana a loving kid, Ciel a destitute girl, Cora Lee a baffled kid and Theresa and Louise the uneven twosome.All in all a normal dysfunctional household. Merely like the Bundren & # 8217 ; s.
Containing many different personalities yet coming out better as a whole.