Shakespeare Essay, Research Paper
Shakespeare, William ( The Poetry ) Shakespeare would be good known for his poesy entirely. His first published plants were the narrations Venus and Adonis ( 1593 ) and The Rape of Lucrece ( 1594 ) . The love poem The Phoenix and the Turtle appeared in 1601. But his major accomplishment is the Sonnets ( 1609, written in the 1590s ) . In them Shakespeare exercises his endowment for compacting significance, to the full realized in his ulterior work. Addressed ( Numberss 1-126 ) to the unidentified W.H. and ( Numberss 127-152 ) to the cryptic dark lady, the SONNETS treat the subjects of clip, mutableness, and decease, and their transcendency through love and art. The chronology of the dramas is unsure, but manner and content analysis give a sensible estimate of their order. They fall approximately into three periods. In the first are history dramas, get downing with the three parts of Henry VI, and comedies. At this phase Shakespeare & # 8217 ; s historical calamities ( Titus Andronicus ) lack deepness of word picture and are slightly declamatory. The comedies are basically classical imitations, with strong elements of FARCE ( The Comedy of Errors ) . The last drama in this first period, Romeo and Juli
et (c.1594), evidences Shakespeare’s maturing talent. The versification is more complex, and rhythms reflect the speaker’s state of mind, a technique he developed with increasing subtlety. In the second period, from Richard II (c.1595) through Twelfth Night (c.1599), Shakespeare produced histories and tragedies in which characterization and practical elements are successfully blended. In the COMEDIES of this period he moved away from farce toward idyllic ROMANCE (As You Like It). The third period, from 1600, saw the appearance of Shakespeare’s major TRAGEDIES, beginning with Hamlet, and problem plays. The tragedies, after Othello, present clear oppositions of order to chaos, and good to evil, on all levels. The style becomes increasingly compressed and symbolic. Pericles, Cymbeline, The Winter’s Tale, and The Tempest are tragicomedies, with full tragic potential but a harmonious resolution through grace, a term with divine as well as artistic implications. Shakespeare has been criticized for failing to propound a philosophy, but the enduring appeal of his plays lies in his human vision, which recognizes the complexity of moral questions, and in the unparalleled richness of his language.