Shakepeares Use Of Disguise In Essay, Research Paper& # 65279 ; Shakespeare uses camouflage in his drama, Twelfth Night, to do confusion and internalconflict between his characters and it is this confusion and struggle that entreaty to the audience.It keeps them inquiring how many more of these state of affairss will originate, and in the terminal, how will this confusion and struggle be resolved?The first clip that this is apparent is in Act I, Scene IV, where Cesario, truly Viola is sent by her maestro, Orsino, to win the love of Countess Olivia for him.
At first it seems as ifnil is out of the ordinary, but Cesario throws a spin on things with his last words of thescene. Cesario indicates that he will make his best to win over the lady, but so in an aside says Whoo Er I woo, myself would be his married woman. ( I. IV.41 )This makes things much more hard.
What will go on when a courier who loveshis maestro is sent to win over the love of the one his maestro desires? This is a instance whereShakespeare s usage of camouflage has left the audience in suspense. The audience is left waiting tosee how this affair will play itself out. Small do they cognize, that camouflage will play anotherof import function, in puddling this job even further.
In the following scene, Act I, Scene V, Cesario will get at the place of Countess Olivia, andafter some trouble, will finally be granted an audience with the Countess. Cesario is veryeloquent, about relentless, in vitamin Expressing what love that the Duke Orsino has for Olivia, but Olivia rejects the Dukes offer, stating that she can non return his love. This is where things truly acquire perplexing.Once Cesario issues, Olivia reviews what Cesario has said, and begins to believe of the courier.
At this point, the audience realizes what has happened, Olivia has fallen for the courier. Even this comes as a surprise to her, she says Even so rapidly may one catch the pestilence? ( I. IV.
281 )To stand back and see what has arisen, all because of Viola s camouflage, is overpowering and rather difficult to explicate without sounding redundant. To me this is the chief struggle in the drama. Viola is a immature adult female who has disguised herself as a eunuch in order to derive the employment of the Duke Orsino and falls in love with him. The Duke, who is incognizant that Cesario is truly Viola, or that she has these feelings for him at all, sends Cesario to win over the love of the Countess for which he lusts, but the Countess alternatively falls for the courier, whom, once more is truly Viola, a immature adult female in disguise.
And that is merely what comes approximately as a consequence of camouflage in Act I. There is more to dowith disguising in the ulterior Acts of the Apostless, for case, Feste masking himself as Sir Topas and visitingMalvolio after he had been locked up.Without the usage of camouflage, Shakespeare wouldn Ts havebeen able to bring forth adequate confusion and internal struggle in his characters, therefore, I contend camouflage is the footing for his full drama.