Puting In The Great Gatsby Essay, Research PaperThe scenes and backgrounds in The Great Gatsby, by F. Scott Fitzgerald, are indispensable elements to the formation of the characters, symbolic imagination and the overall secret plan development. Fitzgerald uses East and West Egg communities to portray two separate universes and two categories of people that are technically the same their position, but basically different in their ideals. The physical geographics of the scenes is representative of the distance between categories of the East and West Eggers. Every puting connotes a different tone and enhances the imagination of narrative line. From the affluent category of the & # 8220 ; eggs & # 8221 ; , the desolate & # 8220 ; vale of ashes & # 8221 ; , to the pandemonium of Manhattan. The imagination provided by Fitzgerald becomes an of import tool in set uping the characters and their narrative.
The separation between the E and the West shows the division between the people who are from each side. By and large, the West Coast represents a more individualistic attitude and is seen as the & # 8220 ; new & # 8221 ; land or universe. Many people have dreamt of & # 8220 ; traveling west & # 8221 ; in hunt of a new life or huge hoarded wealths in the & # 8220 ; wild & # 8221 ; lands. Fitzgerald associates these qualities of the West with the characters Nick Carraway and Jay Gatsby, who live on the West Egg. On the other side of the spectrum prevarication Tom Buchanan, Daisy, and Jordan Baker. These characters are associated with a stereotyped East Coast mentality which is more rigorous, traditional and ancestrally based, as opposed to the & # 8220 ; new & # 8221 ; and & # 8220 ; wild & # 8221 ; West. They resent anything that is unfamiliar to them such as the West Eggers with & # 8220 ; new money & # 8221 ; and no traditions. The distance and mentality of the East and West are symbolically integrated into the East Egg and West Egg which are representative of the societal category of which the characters come from.
The physical scenes set up the individualities of the characters through their wealth and houses. The West Eggers represent the societal category of the nouveau riche, people who have made lucks late in their coevals alternatively of holding inherited wealth. The East Eggars have had money in their blood for many coevalss and have an established presence in their community.
The houses of both categories are grounds to this fact. Gatsby & # 8217 ; s sign of the zodiac is designed in an newer European manner unlike the Buchanan & # 8217 ; s more colonial manner house and is decorated with gold and munificent points intended to & # 8220 ; demo off & # 8221 ; his wealth. & # 8220 ; & # 8230 ; period sleeping rooms swathed in rose and lavender silk and vivid with new flowers. Through dressing suites and poolrooms, and bathrooms with deep-set baths. The chest of drawers was garnished with a lavatory set of pure dull gold. P.
96-97 & # 8243 ; Tom and Daisy besides live in a sign of the zodiac which is Georgian Colonial, which establishes their position as & # 8220 ; old money & # 8221 ; characters. The people populating in the & # 8220 ; vale of the ashes & # 8221 ; picture a 3rd category. The & # 8220 ; vale of ashes is described as & # 8221 ; a antic farm where ashes grow like wheat in ridges & # 8230 ; where ashes take the signifier of houses and chimneys & # 8221 ; . Myrtle and George Wilson are the dwellers in the & # 8220 ; vale of ashes & # 8221 ; , which is depicted as a barren. They live in a auto garage which, shows that they live a common or destitute being in the desolate barren of the & # 8220 ; vale of ashes & # 8221 ; . The Wilson & # 8217 ; s fiscal andphysical environment instructs their distance from characters like Tom Buchanan and Nick Carraway in every manner, including their deficiency of instruction and category. In this manner, Fitzgerald emphasizes major pecuniary differences through mercenary every bit good as solidifying the premiss for ideological differences.
From the Eggs, the characters must go through through the & # 8220 ; vale of ashes & # 8221 ; in order to make Manhattan. The & # 8220 ; vale of ashes & # 8221 ; represents the industrial epoch of that clip and the looking devastation that it created. This desolate and otiose land is the & # 8220 ; span & # 8221 ; between the wealth of the Eggs and the helter-skelter metropolis.
It depicts & # 8220 ; how the other half lives & # 8221 ; through Myrtle and George & # 8217 ; s apparently hapless. The & # 8220 ; vale of ashes & # 8221 ; is extremely symbolic in that it non merely represents that physical obstruction, but besides as a symbol of the outlook of the mid-twentiess and the consequence of the Eggs and the metropolis. The departure of the Eggs besides meant that a certain security was lost and that the characters were now capable of being subjected to the unpredictable.The conditions besides plays a portion in the overall scene and tone of the narrative. The scene of the metropolis is presented in a confusing mode during hot conditions. It is set as the phase for the confrontation of Gatsby with Tom. The hot conditions and the ambiance of the metropolis frequently leads to a confrontation. In Tom & # 8217 ; s secret flat that he portions with Myrtle, they host a party where Tom breaks Myrtle & # 8217 ; s nose.
In the instance of the confrontation of Tom to Gatsby, the conditions is besides hot. The conditions plays the portion of making a physical manifestation of tenseness between everyone in the hotel room in the metropolis scene. It hangs over the characters making a shock and crossness in everyone. In other instances, the conditions emulates the temper of the narrative. For case, when Gatsby is standing outdoors in the rain with his custodies in his pockets, Gatsby is depicted as a saddened figure. When he returns outside with Daisy, the Sun comes out and the ambiance is pleasant. Fitzgerald uses the conditions and the seasons as a contemplation of the narrative line and its current phase.
The Great Gatsby starts out in the springtime, a clip of new growing and beginning. The narrative takes topographic point until the terminal of summer and beginning of fall. As spring and summer base on balls by, steady betterments, it seems, are happening in Nick and Gatsby & # 8217 ; s relationship. Gatsby & # 8217 ; s decease is synonymous to the decease in fall. Falling foliages and deceasing shrubbery coincide with Gatsby & # 8217 ; s ain decease. The patterned advance of the narrative is parallel to the changing of the seasons.
The contemplation of the narrative can be seen through the conditions and altering seasons.Fitzgerald uses the scene and seasonal alteration to make the patterned advance of the characters, symbolism and the secret plan. The backdrops create the model that the characters live in and interact. The scene of the narrative creates all the contrast between East and West, & # 8220 ; new money & # 8221 ; and & # 8220 ; old money & # 8221 ; and the societal categories.
Not merely do the physical representations of these differences separate the characters and make their character, but besides a more representative division is shown. By utilizing symbolism embedded with existent show of its imagination, Fitzgerald is able to capture both, a symbolic kernel and tangents of world.