Mayor Of Casterbridge Essay Research Paper In
Mayor Of Casterbridge Essay, Research PaperIn Thomas Hardy? s The Mayor Of Casterbridge, Michael Henchard represents anembodiment of the Classical? tragic hero. ? In Grecian literature, a tragichero is a well-known and well-thought-of person whose calamity normally involvessome sort of autumn from glorification. His ruin has been precipitated by his ain defectof character or judgement, some error or series of errors that has seriouseffects. A cardinal component is that the hero & # 8217 ; s experiences don & # 8217 ; t merely stop withthe error or calamity ; true tragic heroes must come to detect oracknowledge what has happened to them and finally pay their branchings.
Surely such a description fits the hubristic Michael Henchard and maps out thenarrative of events set Forth in The Mayor Of Casterbridge. The definition of atragic hero includes his autumn from glorification, which in early twentieth century literaturewould be social-class related. Henchard? s rapid diminution from Mayor to pauperqualifies as such a autumn. It is even more of a calamity since there was so muchembarrassment and dirt environing his impairment from a pillar of thetown of Casterbridge.
? Everybody else, from the Mayor to the washwoman,shone in new vesture harmonizing to agencies ; but Henchard had tenaciously retained thefretted and weather-beaten garments of water under the bridge years. ? ( Page 261 ) His raggedvisual aspect at a royal emanation shows merely how deep he had fallen intodepression and limbo. Though modern use of the word? hero? indicates anobler character, at its roots a hero is merely the chief character of any narrative,and non needfully a knight in reflecting armour. A tragic hero? s sad narrative comesfrom his ain defects, and Michael Henchard was surely non missing in mistakes andhapless judgements. Often he displays impulsiveness, which ever consequences inconveying him closer to his death. As with selling his married woman, make up one’s minding to concealhis past grudges, and purchasing over-priced grain, Henchard? s deficiency of
On page 259 he indignantly proclaims: ? ? I? llwelcome his royal Highness, or cipher shall! ? ? demoing his infantile demand forcontrol and high quality. His hapless judgement in covering with his feud with DonaldFarfrae shows what a weak character he truly is. All of Henchard? s offensequalities bit by bit alienate all those around him. The concluding feature of atragic hero? s saga is his realisation of his error every bit good as the enduranceof the effects. In Henchard & # 8217 ; s instance, the original error was the sale ofhis married woman Susan two decennaries prior. His affliction begins about instantly ashis error is realized ; he vows to abstain from intoxicant for twenty-one old ages( ? ? & # 8230 ; being a twelvemonth for every twelvemonth that I have lived. ? ? Page 25 ) But, asthe reader begins to recognize, Henchard has merely gone through the gestures ofpenitence, and every bit shortly as he is faced with hardship, his rougher qualitiesstill surface.
? & # 8230 ; it was still a portion of his [ Henchard? s ] nature toextenuate nil, and live on as one of his ain worst accusers. ? ( Page 322 ) Sosince his self-inflicted penalty is merely halfhearted, Hardy has Fate orConsequence measure in to sufficiently burthen him with adversities until his decease.The subject and spirit of calamity found a new vehicle in the novel in the 19thcentury, its signifier being originally used merely in dramas. Thomas Hardy has beenquoted as comparing the rural scene of this and other of his novels to thestark and simple scene of the Greek theatre, giving his novels something ofthat play & # 8217 ; s strength and acuteness of focal point.
This grimly pessimistic position ofadult male & # 8217 ; s nature qualifies Michael Henchard as a Classical Tragic Hero ; his aininner mistakes finally bring him down from his high station. Darkness and uncertaintycover the narrative with Michael Henchard? s everlastingly unsolved and unpredictablecapacities for good, and for immorality.