, Research PaperThe Godmother of All the Pretty HorsesIn analysis of the character, Duena Alfonsa, in the novel All the Pretty Horses by Cormac McCarthy, aspects of her character are clearly revealed.
From her physical malformation to her feelings of her male parent maintaining her exiled in her ain state, 72 twelvemonth old Alfonsa is filled with a life-time of complex state of affairss. Her character was consistent and motivational in wisdom and provided illustriousness in her function in the novel. She is a great-aunt and godmother of Alejandra, a immature adolescent still in school. The Duena, one could state, is the & # 8220 ; Godfather & # 8221 ; of the novel. She literally & # 8220 ; goes to the mattresses & # 8221 ; in protecting her great-niece from a adult male.
After 72 old ages of life, Alfonsa speaks of her life & # 8217 ; s experiences at an elevated degree of cognition. She is formal, polite, and full of aplomb. McCarthy describes Alfonsa & # 8217 ; s visual aspect as an & # 8220 ; elegance chilling & # 8221 ; ( McCarthy 227 ) . Her cognition came from reading books. McCarthy writes of Alfonsa, & # 8220 ; By the clip I was 16 I had read many books and I had become a deist & # 8221 ; ( McCarthy 232 ) .Alfonsa & # 8217 ; s complexness included her physical malformation. She describes the loss of her last two fingers of her left manus in a shooting accident when she was 17 old ages old where the barrel of the gun exploded while she was hiting for unrecorded pigeons.
This placed her with several positions. Two of her positions in going deformed were, foremost, it lead her to the feelings of cicatrixs holding a unusual power reminding people of their existent yesteryear. Second, it made her experience scruples of her manus as she & # 8220 ; learned to impact a hankie in her life in such a manner as to cover her malformation & # 8221 ; . Alfonsa & # 8217 ; s malformation even affected her to the point of her & # 8220 ; expecting age and decease & # 8221 ; ( McCarthy 234 ) .
Alfonsa had strong strong beliefs toward adult females being suppressed as she was turning up in a clip before and after the Mexican radical war. Her male parent directing her to Europe had made its parts to her & # 8220 ; radical spirit. & # 8221 ; Women at that clip lived their lives in the changeless shadows of work forces. The adult females were consumed by household life, matrimony, the Catholic church, and lived mutely behind their dominant male opposite numbers. There were many inequalities adult females and other cultural, economic, political, or spiritual minorities suffered under the government of Porferio Diaz.
Mexican adult females at that clip knew they were essential in a figure of ways and rose up going strong advocators for causes they believed in ( Jandura 1 ) . Alfonsa’s character speaks of “Dictator Diaz” in a conversation with the chief character by the name of John Grady ( McCarthy 236 ) .On several occasions, Alfonsa touches on the topic of adult females & # 8217 ; s repute and how valuable it is populating in a Mexican society. With her intelligence and shred, she guides and guards her great-niece for her ( Alejandra ) hereafter & # 8217 ; s interest.
Alfonsa provinces in the novel about Alejandra, & # 8220 ; She is much like me at that age and I seem at times to be fighting with my ain yesteryear? I have no 1 to rede me, you see. Possibly I would non hold listened anyhow? I was besides rebellious and so I recognize it in others? You see that I can non assist but be sympathetic to Alejandra. Even at her worst. I won & # 8217 ; Ts have her unhappy. I won & # 8217 ; Ts have her spoken ailment of & # 8221 ; ( McCarthy 135-6 ) . After Grady becomes closely involved with Alejandra, Alfonsa strategically forbids her to see him. For she believed that adult females had merely their repute and no opportunity for forgiveness while work forces were able to lose their repute and recover it ( McCarthy 136-7 ) .
In decision, Alfonsa & # 8217 ; s character played a enormous portion in the novel as a whole. Using her psychological and motivational properties, she gave elaborate accounts about her life experiences when talking to Grady. McCarthy used Alfonsa & # 8217 ; s character to learn Grady and Alejandra womb-to-tomb lessons. The lessons John Grady learned from the Duena were duty, that fate in life does non be, and to hold more regard for adult females. Alfonsa meant good for her household. Alejandra was taught to protect her female image, particularly since she was a Mexican inheritress under the public & # 8217 ; s oculus. Her rebellion was changed to being more obedient and respectful to her male parent and Alfonsa herself.
Though her experience with work forces and love had merely begun with Grady, the Duena made it clear she will ever transport a alert oculus over Alejandra.McCarthy was impressive with his great inside informations of Alfonsa. Once once more, he was consistent and complex in manners female readers easy related to. Duena Alfonsa was tremendous and lending to his novel, All the Pretty Horses.Jandura, Tereza.
& # 8220 ; Revolutionary Mexican Women. & # 8221 ; *http: //wuru.u.arizona.
edu/ic/mcbride/ ws200/max~jand.htm. ( February 24, 2000 ) .McCarthy, Cormac. All the Pretty Horses.
New York: Vintage International, 1992.