Iycee Charles de Gaulle Summary English Painting and Art Galleries Essay

English Painting and Art Galleries Essay

English picture.

Our life seems to be impossible without art. It truly occupies an of import portion in our day-to-day life. Art offers us non merely pleasance and amusement but it is besides a vehicle of civilization and instruction. Art penetrates into all domains and sides of our life and makes it brighter, richer and more rational. Peoples like and cognize different types of art. Some of them are fond of painting. Others have a particular liking for music or they have a passion for literature. But all of us cant aid look up toing the canvases of such great painters as Thomas Gainsborough, Rembrand etc.

We Will Write a Custom Essay Specifically
For You For Only $13.90/page!


order now

So, art units different people, influences the development of personality, makes our innerworld richer, feels our psyche with different feelings. It makes us stronger, inforces us in hard state of affairss.

Time is winging art is everlastingly.

Painting in England began to develop subsequently than in over European states. That ‘s why some of the greatest foreign Masterss were attracted to England by the rubrics of aristocracy conferred upon them. Holbein, Antonio Mor, Rubens, Van Dyck were about English painters during longer or shorter periods of their lives.

Sir Anthony Van Dyck ( 1599 – 1641 ) , who married the girl of an English Lord and who died in London is considered to be the male parent of the English portrayal school. He worked at the tribunal of Karl I, was an highly difficult working painter. His most celebrated plants are: his ego portrayal, & # 171 ; Portrait of the Man & # 187 ; and & # 171 ; Karl I & # 187 ; .

But non until William Hogarth ( 1697 – 1764 ) do we happen a painter genuinely English. Hogarth was the pressmans boy, uneducated, but a funny perceiver of adult male and manners. His first work day of the months from 1730. Among his best plants are & # 171 ; Captain Coram & # 187 ; , & # 171 ; The Shrimp Girl & # 187 ; , consecutive & # 171 ; Mode Marriage & # 187 ; .

His images of societal life brought him celebrity and place in the society. One of his seriess & # 8220 ; Mode Marriage & # 8221 ; consists of 6 images. & # 8220 ; The Marriage Contract & # 8221 ; is the first.

Both male parents are locating to the right. One of them an earl is proudly indicating to his household tree. The other is reading the matrimony contract. The Earls boy is looking at himself with pleasance in looking glass. The girl of the 2nd adult male is playing with her nuptials ring and hearing to the complements of a immature attorney. The capable affair of the image is the protest against matrimony for money and amour propre. Other images of this series have the same capable affair.

Hogarth was certain that success came to him due to difficult labour. He wrote & # 8220 ; Genius is nil, labour is diligence. & # 8221 ;

Sir Joshua Reynolds ( 1723 – 1792 ) is one of the outstanding British portrait painters, who had an of import influence on his coevalss. Within a short period of clip he achieved a considerable success. In 1755, at the highest point of his calling he painted 120 portrayals. When, in 1768, the Royal Academy of Arts was founded, he of course became its first president. In 1784 he became a chief painter of the King. He was a extremely educated individual, fantastic colorist. His colourss are hard to judge today, because they were non scientifically applied. That ‘s why many of his pictures have cracked and faided. Among his best plants are: & # 171 ; Cupid untiring the Zone of Venus & # 187 ; and & # 171 ; Mrs. Siddons & # 187 ; . They are well-known all over the universe. For 20 old ages he was the most outstanding creative person of his twenty-four hours even in the face of lifting Gainsborough.

Thomas Gainsborough ( 1727 – 1788 ) succeeded brightly as a portrayal painter. Society went to him for portrayals. A good amateur fiddler and a lover of play, he was an artistic individual by nature. Joshua Reynolds and Thomas Gainsborough created a national type of the English portrayal. His mode of painting differs from Reynolds. Thomas Gainsborough ‘s portrayals of histrions, actresses and his close friends are celebrated. One of his greatest friends was Richard Sheridan, the playwright, whose portrayal belongs to one of the best images of this painter. Even in his portrayals Thomas Gainsborough is an outdoor painter. The backgrounds of his portrayals are frequently well-observed state scenes. He was one of the first to be elected to the freshly established London Academy of Arts. Thomas Gainsborough is acknowledge as an first-class adult females painter. & # 8220 ; The Portrait of the Duchess de Befou & # 8221 ; , & # 8221 ; Mrs. Siddons & # 8221 ; , & # 8220 ; Two Daughters & # 8221 ; are among his best animals.

His portrayals are painted in clear tones in which blue and grey predominate. One of his best images is the celebrated & # 8220 ; Blue boy & # 8221 ; . His other chef-d’oeuvre is & # 8220 ; The Portrait of Duchess de Befou & # 8221 ; .

We can see a immature baronial adult female, her capturing face is full of freshness and lifeness. The appeal of the look of her face and the colouring are characteristic for the creative persons manner. Her composure airs, the elegance of her gesture of her manus stresses her aristocracy. Outwardly we may see that in this portrayal Gainsbourough followed the regulations of traditional ceremonial portrayals. But it is non so. The partied lips of the adult female, a timid gesture of her manus aid to make a true feeling of the Sitter.

The creative person has a fantastic sense of colour, line and composing. He makes the affectional usage of visible radiation and shadiness. The image is executed largely in light tones in the dark background. Numerous sunglassess of bluish prevail in the image. The combination contact of pink sunglassess in her face and organic structure are contrasted with grey and bluish sunglassess on her pounded hair, frock and scurf. It makes the feeling of freshness and beauty. Gainsbourough depicts the inside informations of her frock skilfully. The adult female is graceful and charming.

The image glorifies the thought of adult female ‘s beauty. It is exhibited in the Hermitage in St. Petersburg.

Thomas Gainsbourough greatly influenced the English school of landscape picture. He was one of the first English creative persons who painted his native land. His delicate apprehension of nature is particularly felt in the images where he showed provincials. The best landscape of his are: & # 8220 ; Watering Place & # 8221 ; and & # 8220 ; Harvest Wagon & # 8221 ; . Both of them are exhibited in the National Gallery.

Among his other landscapes are: & # 8220 ; The Sunset & # 8221 ; , & # 8220 ; The Market Card & # 8221 ; and & # 8220 ; The Cottage Door & # 8221 ; . His great love for the countryside and his ability to demo it made him an pioneer in this field. He was the first English creative person who painted his native countryside so unfeignedly.

Thomas Lawrence ( 1768 – 1839 ) was the painter of male monarchs, princes, great diplomats and generals. All these are presented in big, full-dressed portrayals, painted with elegance. His portrayal of Vorontsov ( 1821 ) is an illustration of the superb official portrayal. The portrayal presents a immature general, a superb adult male of manner but it does n’t qualify his nature

Landscape is another glorification of English art because in it English art besides rose to supreme highs. John Constable ( 1776 – 1837 ) is one of the most outstanding painters, who developed his ain manner of picture. He considered study, made straight from nature, the first undertaking of a landscape painter. He introduced green into his picture: the viridity of trees, the viridity of summer, all the leafy vegetables which until so other painters had refused to see. He made speedy studies based on his first feelings of natural beauties. John Constable used broken touches of colour. His work is of import as the beginning of the impressionist school.

He was a boy of a affluent Miller. He began to take involvement in landscape picture while he was at Dedham grammar school. His male parent did n’t prefer art as the profession and Constable as a male child worked about in secret, painting in the bungalow of the local pipe fitter, who was an recreational painter by nature himself. Constable left school to work for his male parents concern. During his trim clip he studied painting. His acute artistic involvement was so strong that his male parent allowed him to see London where he began to analyze chalk outing. After 2 old ages in London he returned to his male parents concern for a twelvemonth. The twelvemonth spent at his male parents factory was a great importance for him. He learned to watch the sky with the exactitude of a Miller, to observe the way of the air current, the significance of the clouds. In 1799 Constable entered the Royal Academy school in London.

In his pictures the creative person showed the new height to the nature. He refused to larn plants of celebrated landscape painters and decided to travel to the state and to paint nature as he saw it.

Constable pictured nature in his ain realistic manner, he was the first creative person who began to paint studies which were every bit large as pictures. He was able to demo the inside life of nature. John Constables invention influenced greatly the development of Gallic landscape picture.

In 1826, when he was 50, he showed a figure of landscapes in the Paris salon. Among them was the celebrated & # 8220 ; Hay Wain & # 8221 ; , painted in 1821, for which the painter was awarded the Gold Medal. He was elected to the Royal Academy in 1829, but he felt, that this award had come excessively late in life to hold much significance. Among his best landscapes are: & # 8220 ; The Flatford Mill & # 8221 ; , & # 8220 ; A Farm in the Valley & # 8221 ; , & # 8220 ; Hay Wain & # 8221 ; , & # 8220 ; The Flatford Mill & # 8221 ; , & # 8220 ; Cottage door & # 8221 ; , Dedham Valley & # 8221 ; , & # 8220 ; The Corn Field & # 8221 ; , etc.

William Joseph Turner ( 1774 – 1851 ) was the greatest English romantic, landscape and marine painter. He was a boy of a stylish Barber, started pulling and P

ainting at his early age. His male parent used to sell the male childs drawings to his clients and in such a manner he earned money for the male childs acquisition of art. At 14 he entered the Royal Academy School. His watercolors were exhibited at the Royal Academy when he was merely 15. At 18 he started his ain studio and received a committee to do drawings for magazines. For some old ages he tramped over Wales and Western England. As Turner ne’er married, he devoted his life to art. Visitors were seldom admitted to his house and no 1 was aloud to see him at work. He loved his pictures as a adult male loves his kids. At the age of 27 he was elected as a Royal Academician. From that clip his pictures became at great demand and brought good money. The last old ages of his life he spent in a small bungalow at Chelsea.

He liked to watch the dawn and sundown. And it is said, that merely a hr before his decease he had his chair wheeled to the window, so that he might look for the last clip at the Sun, reflecting upon the river.

During his life Turner created some 100s of pictures and some 1000s of watercolors and drawings. After his decease his ain full aggregation of pictures and drawings was willed to the state. They are exhibited at the National and Tate Galleries in London. Some of his celebrated images are: & # 8220 ; The Fighting Temeraire & # 8221 ; , & # 8220 ; Rain, Steam and Speed & # 8221 ; , & # 8220 ; Light and Color & # 8221 ; , & # 8220 ; Fisherman at Sea & # 8221 ; and others.

William Turner dedicated most of his pictures to the sea. He was a crewman and the sea in itself absorbed him. He gave to his seas mass and moving ridge every bit good as motion. His moving ridges seem to be alive.

& # 8220 ; Calais Pier & # 8221 ; is one of his greatest creative activities. The image of a storm in it is existent and impressive. In the centre of the image there is a boat with people in it. All the figures are populating persons. The farther objects in the image failed in the darkness, pulling our attending to the people in the boat. Those who look at the image can smell the H2O and hear the cry of the air current. Color every bit good as tone in William Turners pictures produces the consequence of sunshine.

The name of William Turner is celebrated above all other landscape painters.

So if portrait picture is one of the glorifications of English art, landscape is another: in both waies it rose to supreme highs.

Russian picture

The Tretyakov Gallery

The province Tretyakov Gallery is one of the best-known art galleries in Russia. Different genres of painting are exhibited at that place. It takes its name from its laminitis Pavel Tretyakov, a Moscow merchandiser and cognoscente. In the center of the XIX th century Pavel Tretyakov began to roll up Russian pictures. A adult male of high civilization and all right aesthetic gustatory sensation, he selected the most important and characteristic plants of the Russian school of picture. He dedicated 40 old ages of his life to his chief naming: the constitution of a National Art Museum. Many plants of & # 8220 ; Peredvizhniki & # 8221 ; are exhibited in this gallery. Tretyakov started by roll uping modern-day pictures, but shortly he extended the boundaries of his aggregation. Art of the XIX th century, plants of Brulov, Ivanov, Vasnetsov ; plants of Art of the XVIII th century and antediluvian Russian art – all bit by bit found their manner into Tretyakov`s aggregation. More than one time he had to add wings to his house in the Lavrushinskiy pereulok. In 1881 he opened his aggregation to the populace. In 1892 he denoted his aggregation to the metropolis of Moscow. Since so, the gallery had received 100s of images from other museums and private aggregations. It has a rich aggregation of old Russian icons. The universe celebrated icon, “ The Trinity & # 8221 ; , painted in the early Fifteen th century by Andrey Rubliov is exhibited at that place. The gallery contains halls, devoted to the brilliant plants of such XVIII th century famous persons, as Rokotov, Levitskiy, Borovitskiy, Shchedrin. The first half of the XIX th century is represented by superb plants of Brulov, Ivanov, Tropinin, Venitsianov. The 2nd half is particularly good represented. The gallery has the best aggregation of the & # 8220 ; Peredvizhniki & # 8221 ; , such as Kramskoy, Perov, Yaroshenko, Myasoedov and others. Linked with & # 8220 ; Peredvizhniki & # 8221 ; are such great names, as Surikov, Repin, Vereshagin, Vasnetsov, Levitan. Here you can see historical picture, portrayals, stylists, landscapes, seascapes and others. Nowadays the gallery is an of import beginning for doting and publicity of Russian Art.

The Hermitage

The Hermitage in St.-Petersburg is one of the most celebrated museums in the universe. The museum ‘s foundation day of the months to 1764, when Katherine the Great received 225 west – European pictures as a dept from Berlin merchandiser Yoghant Ernst Gatskovskiy. First the museum was intended to be a topographic point of purdah, resembling the park marquees, which were called at that clip & # 8220 ; Hermitages & # 8221 ; . It consisted of two marquees – Southern and Northern and a garden, suspended between them. Walls in the Northern marquee were hung with images. Subsequently the whole aggregation of pictures and antiquities got its name.

The museum grew quickly throw out the XVIII th century and shortly became one of the greatest art galleries. At the start of the XIX th century it was reorganized into particular sections and the school of Restoration was added.

Today the Hermitage aggregation consists of some 3 million pieces which are exhibited in 353 suites, busying 5 edifices: The Winter Palace, Small Hermitage, Large ( Old ) Hermitage, New Hermitage and Hermitage Theatre. All of them can be seen from the Neva river. The museums six sections boast plants of art and civilization, dating from ancient times to the present twenty-four hours.

The section of Pre-historic civilization has one of the richest aggregations of ancient archaeological financess.

The section of classical antiquity contains a alone aggregation of Greek and Roman sculpture, painted old-timer vases, cut jams and jewellery.

The section of East houses exhibits from ancient civilisations of Egypt, Asia, Turkey, Mongolia, China and Japan.

The section of Russian civilization conserves and exhibits stuffs, dating from early Slavic times to the 2nd half of the XIX th century. Here you can see old Russian icons, portrayals, watercolors, pencil drawings, objects of applied art – porcelain, glass, rock, metal jewellery, costumes, rugs and tapestries.

The section of numismatologies owns a aggregation of over 1 million coins, orders, decorations from different states and times of which any universe museum would be proud.

The most celebrated of all the Hermitage sections is the section of West-European art, consisting a image gallery and a aggregation of sculpture and cosmetic art. They day of the month from the medieval epoch to the present twenty-four hours, including canvases of the first creative persons of Italy, Spain, Holland, France, Germany, England every bit good as sculptures, pencil-drawings, plants of applied art.

The Perm State Art Gallery

The Perm State Art Gallery is one of the oldest Art museums in the state. Its history began long before the revolution. The particular art section attached to the Perm Scientific Industrial Museum was created in 1902 and the first exhibits were received by the museum. The Art Academy presented pictures and 24 engravings from the images by Repin, Brulov and Vasnetsov.

In 1907 the gallery were given images and landscapes by Vereshagin. The exhibition was organized in 1907 and many plants from Perm, Ekaterinburgh and Vyatka were left at the gallery.

After the revolution of 1917 the Scientific Industrial Museum undertook a serious and difficult work in salvaging art values. As a consequence of this work in 1920 the 2nd exhibition was held in Perm. Visitors could detect plants of Aivazovskiy, Vasnetsov, Korovin-Nesterov and other celebrated Masterss. Subsequently the gallery was extended by exceeding illustrations of wooden sculpture. It besides got the images of the celebrated Russian painters of the XVII th – Nineteen Thursday centuries. In such a manner the gallery was enriched.

In 1927 the Art Museum was named The Perm Gallery. In 1932 it possessed so many exhibits that had to travel to a former cathedral, a alone memorial of Russian classicalism. In 1945 the gallery got the name of the Perm State Art Gallery.

Not many Art galleries of the state can fit the aggregation of the Perm State Art Gallery in assortment and artistic worth. Our gallery ranks with such exchequers as the Hermitage, the Tretyakov Art Gallery and the Pushkin Museum of Fine Arts.

Now the gallery possesses more than 36000 exhibits, including Russian, Soviet and West-European pictures, sculpture, plants of the cosmetic Art and numismatologies.

The Old Wooden Sculpture of Perm represents an original domain of the XVII th – Nineteen Thursday centuries Russian sculpture. It was inspired by old Russian Traditions and the Perm local manner of wood carving. Wooden Sculpture of Perm is produced in the technique of sculptural alleviation and is regarded as & # 8220 ; carved icons & # 8221 ; . The sculptures are marked by a powerful religious potention and bring forth a great emotional consequence.